Benjamin, A. (2002). Making an entrance: theory and practice for disabled and non-disabled dancers. London; New York, Routledge.

Brennan, T. (2004). The transmission of affect. Ithaca, Cornell University Press.

Butler, Judith. (2006). Gender Trouble : Feminism and the Subversion of Identity. Routledge Classics. New York: Routledge,

Çetin, F. Ç. (2001). "Suicide Attempts and Self-Image Among Turkish Adolescents." Journal of Youth and Adolescence 30( Number 5, October 2001): pp. 641-651.

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Eco, U. (1977). " Semiotics of Theatrical Performance." The Drama Review: TDR Vol. 21(No. 1, Theatre and Social Action Issue  (Mar., 1977)): pp. 107-117.

Foster, S. L. (2008). Movements Contagion: the kinesthetic impact of performance. The Cambridge companion to performance studies. T. C. Davis. New York, Cambridge University Press: xi, 193 p.

Garland-Thomson, R. (2009). Staring : how we look. Oxford ; New York, Oxford University Press.

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Gomez-Peña, G. (2003). "In defense of performance." Unpublished

Jones, A. (2006). Self/Image : technology, representation, and the contemporary subject. New York, Routledge.

Kuppers, P. (2004). Disability and contemporary performance : bodies on edge. New York, Routledge.

Lepecki, A. (2006). Exhausting dance : performance and the politics of movement. New York ; London, Routledge.

Leth, J. (1967). The Perfect Human (Danish: Det perfekte menneske): 13 minutes.

Marks, L. U. (2000). The skin of the film : intercultural cinema, embodiment, and the senses. Durham, Duke University Press.

Marks, L. U. (2002). Touch : sensuous theory and multisensory media. Minneapolis, University of Minnesota Press.

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Orbach, Susie. (2009). Bodies : Big Ideas, Small Books. 1st Picador ed. New York: Picador.

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Sandahl, C. and P. Auslander (2005). Bodies in commotion : disability & performance. Ann Arbor, University of Michigan Press.

Thomson, Lynn M. (2003). "Teaching and Rehearsing Collaboration." Theatre Topics 13, 1.March 2003 pg. 117-28.  

Von Trier, L. and J. Leth (2003). The Five Obstructions  (Danish: De Fem benspænd), Zentropa Real ApS and Koch-Lorber Films: 103 minutes.